flux status: developing
Feb08
\ late in the 70s I decided not to unravel natural sound
resources and vibrations just to be recorded. Though I did a large
amount of reel-to-ree and cassette documentations. Some were released
to grant funding organizations and occasionally were submitted
to international and national sonic competitions. I also embedded
my name in Morse code every five seconds -speeded up and at a
very low level. Continuing in 08, web2 internet soundworks based
on windribboning interactions and use of the cell[phone continue
to being steered beyond evolving concepts. I continue seeking
international ways and means to achieve realtime audio to digital
streams.
| w h a t |
s h o w me |
other plans |
| it's
not |
how it's
done |
hear it
when |
| iit
could be |
what else |
a |
| keyword:
windribbon |
a |
a |
bckgrond leading to current direction
Years of vibrational
and wind-seeking experiments have underlain my habit to go further.
Every instance extended the bounds of all natural monitorings
and there were always counterpoints. Earfull qualities when what
I was listening to contained additives - on the order of the traditional
sounding board. The duo-sensed and much louder tree limb vibrations
could be listened to from within the base of a quieter mass of
a Douglas fir trunk. My 6 year old daughter and I used the same
fir as a microphone. Smaller sounding and faint voices could be
heard in our headphones. TBC
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